{"id":3071,"date":"2021-12-01T15:55:44","date_gmt":"2021-12-01T20:55:44","guid":{"rendered":"http:\/\/www.mindfulwalker.com\/?p=3071"},"modified":"2021-12-01T17:49:53","modified_gmt":"2021-12-01T22:49:53","slug":"treasures-of-the-new-york-public-library","status":"publish","type":"post","link":"https:\/\/www.mindfulwalker.com\/wordpress\/explore-new-york\/treasures-of-the-new-york-public-library","title":{"rendered":"Treasures of the New York Public Library"},"content":{"rendered":"<p>If you want to choose an exhibition to break out of the difficulty and isolation that the Covid pandemic has produced for more than a year-and-a-half, how about one where you can see the original umbrella connected with Mary Poppins, a tablet of cuneiform characters from the 3rd to the 1st millennia BCA, and a letter that a freed black man wrote to purchase the freedom of his daughter in 1778? <a href=\"https:\/\/www.nypl.org\/events\/exhibitions\/treasures\" rel=\"noopener\" target=\"_blank\">The New York Public Library\u2019s Polonsky Exhibition<\/a>, opened as a new permanent offering this fall, has this and more. In a word, it\u2019s sure to engender <em>wonder<\/em>.<\/p>\n<p>The exhibition\u2019s objects span thousands of years of human history. The library has selected 250 rare items from its renowned research collection of some 56 million objects including rare books, prints, photographs, ephemera from pamphlets to flyers, letters, audio and moving images, household items, theatrical props, furnishings, and more. Each extraordinary object tells its own story, reflecting the intricacies of a turning point in history, a memorable cultural moment, a witnessing document or other object from a movement, or a time of great discovery, tragedy, or resilience. In this debut of the \u201cTreasures,\u201d the New York Public Library has organized the exhibition into nine sections: Beginnings, Performance, Explorations, Fortitude, The Written Word, The Visual World, Childhood, Belief, and New York City.<\/p>\n<p>The exhibit is in the newly restored and renovated Gottesman Hall on the main floor of the Stephen A. Schwarzman Building at 42nd Street and Fifth Avenue. It is open to the public and free. Admission is by reserved, timed entry, through the New York Public Library\u2019s site, <a href=\"https:\/\/www.nypl.org\/spotlight\/treasures\" rel=\"noopener\" target=\"_blank\">nypl.org\/treasures<\/a>. The exhibition is the first-ever permanent exhibition spotlighting the library&#8217;s research collection. It is made possible by a $12 million gift from philanthropist Leonard Polonsky.<\/p>\n<p>As New Yorkers welcome an active, thriving city after suffering through the Covid pandemic&#8217;s shutdowns for a good chunk of the past year-and-a-half and tourism returns bit by bit to New York, this exhibition is a thrilling addition. Still, many remain quite cautious about indoor public settings and travel. So it&#8217;s even more heartening that the thoughtfulness evident in the exhibition&#8217;s creation extends to a robust online experience (with images and text) and an <a href=\"https:\/\/www.nypl.org\/events\/tours\/audio-guides\/treasures-audio-guide\" rel=\"noopener\" target=\"_blank\">Audio Guide<\/a> focusing on a selection of objects.<\/p>\n<p>The exhibit\u2019s aim, in spanning 4,000 years of human history, is to build on the library\u2019s legacy to make new connections that expand understanding of the world and each other, and, in doing so, to shape a better future.<!--more--><\/p>\n<p>Here are just some highlights on view in this first iteration of the Treasures exhibition.  The exhibition will change and evolve over time, in its themes and selections, which will allow the public to experience the depth of the vast collection within the library\u2019s research collections.<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/27530874@N03\/51714684164\/in\/album-72157720188090813\/\" title=\"Thomas Jefferson&#x27;s Handwritten Copy of the Declaration of Independence\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/live.staticflickr.com\/65535\/51714684164_d172293f1e.jpg\" width=\"500\" height=\"348\" alt=\"Thomas Jefferson&#x27;s Handwritten Copy of the Declaration of Independence\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\nPhoto: Robert Kato, New York Public Library<\/p>\n<p><strong>Thomas Jefferson\u2019s Handwritten Copy of the Declaration of Independence.<\/strong> This is Jefferson\u2019s handwritten copy of the Declaration of Independence, which scholars date between July 4 and July 10, 1776. His handwriting is small and neat on the paper, which is off-white and unruled.<\/p>\n<p>This paper serves as a witness to how the history evolved. Congress debated and revised Jefferson\u2019s original draft. He wrote out this version afterward and underlined when Congress made changes. In this version, Jefferson had written a denouncement of the slave trade in strong terms, calling it a \u201ccruel war against human nature,\u201d and on \u201cassemblage of horrors.\u201d Yet Jefferson was an enslaver who owned more than 600 human beings throughout his life. The Congress excised the denunciation of the slave trade in the Declaration\u2019s final version.<\/p>\n<p>In the audio guide, Anna Deavere Smith observes, \u201c\u2026Jefferson\u2019s omitted passage allows us a solemn opportunity to imagine how history might have been different if, from the beginning, the United States had taken a stand against the evils of enslavement.\u201d<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/27530874@N03\/51714026401\/in\/album-72157720188090813\/\" title=\"Bill Of Sale To A Free Black Man\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/live.staticflickr.com\/65535\/51714026401_1ae08cc850.jpg\" width=\"411\" height=\"500\" alt=\"Bill Of Sale To A Free Black Man\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\nPhoto: New York Public Library<\/p>\n<p><strong>Bill of Sale to a Freed Black Man, 1778.<\/strong> To read a textbook summary of slavery is one thing. To see a weathered document of 1778 \u2013 a Bill of Sale in which a freed black man purchased the freedom of his daughter \u2013 is something tangible and powerful. It is firsthand documentation of slavery\u2019s horrible dehumanization, and the actions black people undertook to gain freedom when possible.<\/p>\n<p>The Bill of Sale names the free black man, Adam, who provided sixpence to a woman so that he could purchase freedom for his daughter, Jenny. The enslaver was Isabella Kearney, who signed this document, dated Oct. 19, 1778, in New York State. Two witnesses also signed this contract.<\/p>\n<p>The document exemplifies a father\u2019s care. It\u2019s concrete proof of how slavery broke apart families in that Adam had no existing legal right of fatherhood until purchasing his daughter\u2019s freedom. The archives of slavery often do not capture the interior lives of enslaved people, explains Michelle Commander, curator of the Lapidus Center for the Historical Analysis of Transatlantic Slavery as the Schomberg Center, in the exhibit\u2019s audio guide. So, as Commander says, we have \u201cto infer from the documents\u201d such as this one: \u201cOf course it\u2019s very heartbreaking that we have a father who has to purchase his daughter\u2019s freedom.\u201d This sparks questions and some speculation: What might this document have meant to the father and daughter? What kind of protection did it offer? Where might Adam and Jenny gone after he purchased her freedom?<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/27530874@N03\/51714897660\/in\/album-72157720188090813\/\" title=\"Umbrella Belonging to Mary Poppins Author P.L. Travers\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/live.staticflickr.com\/65535\/51714897660_0bb51ba514.jpg\" width=\"362\" height=\"500\" alt=\"Umbrella Belonging to Mary Poppins Author P.L. Travers\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\nPhoto: New York Public Library, Robert Kato<\/p>\n<p><strong>Umbrella Belonging to Mary Poppins Author P.L. Travers.<\/strong> In the Treasures exhibit, you can see an author\u2019s possession that became an inspiration for an object with extraordinary powers \u2013 P.L. Travers\u2019 umbrella. In her classic storybook series based on a quirky, prickly, and beloved nanny, Travers employed a fanciful parrot-head umbrella that Mary Poppins used to great effect. It had incredible powers, becoming a parachute that transported Poppins up and away, off into the sky.<\/p>\n<p>Pamela Lyndon Travers, born in Australia as Helen Lyndon Goff, loved fairy tales from her earliest days. She also admired a parrot-headed umbrella that a family maid carried and saved to buy one of her own. A writer of articles, travel stories, and poems, she subsequently created the stories of a magical nanny who carried a parrot-head umbrella with amazing powers. In May 1972, Travers\u2019 American editor gave this umbrella to the New York Public Library. At the time, Travers donated a collection of artifacts that were associated with her storybook series to the New York Public Library. It is quite a back story.<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/27530874@N03\/51714897980\/in\/album-72157720188090813\/\" title=\"Cuneiform Tablet\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/live.staticflickr.com\/65535\/51714897980_dd8f3d2b47.jpg\" width=\"373\" height=\"500\" alt=\"Cuneiform Tablet\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\nPhoto: New York Public Library, Robert Kato<\/p>\n<p><strong>Cuneiform tablets. <\/strong>The library possesses some 700 artifacts inscribed in the ancient writing system known as cuneiform. The script was invented in the middle of the 4th millennium BCE in the region of Mesopotamia, in what is present-day Iraq. Students of cuneiform learned up to 1,000 different characters, which a person inscribed into damp clay using styli made of reed or bone.<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/27530874@N03\/51713267417\/in\/album-72157720188090813\/\" title=\"Ptolemy&#x27;s Geographia\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/live.staticflickr.com\/65535\/51713267417_fe2e0ae494.jpg\" width=\"486\" height=\"381\" alt=\"Ptolemy&#x27;s Geographia\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\nPhoto: New York Public Library<\/p>\n<p><strong>Ptolemy\u2019s <em>Geographia<\/em>.<\/strong> A richly illustrated 15th century manuscript copy renders the work of Claudius Ptolemy, the 2nd century geographer, astronomer, mathematician, astrologer, and cosmographer. It captures the cosmological beliefs of the Roman era, which remained strong in the 15th century.<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/27530874@N03\/51714029371\/in\/album-72157720188090813\/\" title=\"Ida B. Wells: A Red Record\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/live.staticflickr.com\/65535\/51714029371_27458ece0c.jpg\" width=\"308\" height=\"500\" alt=\"Ida B. Wells: A Red Record\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\nPhoto: New York Public Library<\/p>\n<p><strong>Ida B. Wells, <em>A Red Record, Tabulated Statistics and Alleged Causes of Lynchings in the United States, 1892-1893-1894.<\/em><\/strong> The exhibit has an original copy of Ida B. Wells\u2019 <em>Red Record.<\/em> In the letter to investigative journalist Ida B. Wells for the <em>Red Record<\/em> that became its preface, Frederick Douglass wrote, \u201cLet me give you thanks for your faithful paper on the lynch abomination\u2026.\u201d Indeed, Wells (later Wells-Barnett) launched a crusade against lynching in the late 19th century. Following on her trailblazing pamphlet, <em>Southern Horrors: Lynch Law in All Phases<\/em>, Wells used white mainstream newspapers to produce a meticulously documented expos\u00e9 on lynching. Wells found that white mob violence resulted in the killings of more than 10,000 African Americans in the South between 1864 and 1894.<\/p>\n<p><a data-flickr-embed=\"true\" href=\"https:\/\/www.flickr.com\/photos\/27530874@N03\/51713239787\/in\/album-72157720188090813\/\" title=\"Album of the Construction of the Statue of Liberty (Photo #12)\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/live.staticflickr.com\/65535\/51713239787_9cdb2a4ae5.jpg\" width=\"304\" height=\"500\" alt=\"Album of the Construction of the Statue of Liberty (Photo #12)\"><\/a><script async src=\"\/\/embedr.flickr.com\/assets\/client-code.js\" charset=\"utf-8\"><\/script><br \/>\nPhoto: New York Public Library<\/p>\n<p><strong>Photograph of the Statue of Liberty Under Construction in France.<\/strong> Whether you see it from land, sky, water, or up-close, the Statue of Liberty inspires awe. Its history is even more amazing when you see a photograph that records the French building it in Paris before taking it apart piece by piece and shipping Lady Liberty to the United States. Fr\u00e9d\u00e9ric-Auguste Bartholdi conceptualized and designed the copper sculpture while Gustave Eiffel\u2019s skeletal structural system incorporated a massive central iron pylon to stabilize Lady Liberty.<\/p>\n<p>French photographer Albert Fernique took many photos of the Statue of Liberty while it was under construction. The exhibition includes one of the 13 the New York Public Library owns, an 1883 albumen print. Though the photograph shows the statue surrounded by scaffolding, its magnificence is still evident as is its colossal scale compared to the Parisian buildings in the background. It\u2019s mind-blowing to consider not only the original construction but also the accomplishment of taking it apart to transport for its voyage to the U.S.<\/p>\n<p>It&#8217;s impossible to choose just a selection of objects and convey the full depth of the Treasures exhibition. Surely, varied items, artworks, and documents will speak powerfully to different individuals, whether it be the 17th century Megillah: Scroll of the Book of Esther; Charlotte Bront\u00eb\u2019s travel writing desk; the earliest issued New York City money from 1708; the first printed version of Mother Goose; the script for the pre-Broadway production of A Streetcar Named Desire, and much more. I look forward to scheduling my first visit and can imagine that taking in this exhibition will require repeat visits.<\/p>\n<p class=\"MsoNormal\" style=\"line-height: 150%;\"><strong><span style=\"font-size: 14pt; line-height: 150%;\">Exhibition Details: In Person and Online<\/span><\/strong><\/p>\n<p>For those who want to see the Treasures exhibition, the New York Public Library offers information to <a href=\"https:\/\/www.nypl.org\/locations\/schwarzman\" rel=\"noopener\" target=\"_blank\">plan your visit<\/a> and <a href=\"https:\/\/www.showclix.com\/event\/nypltreasures\/tag\/treasureswebexhibition\" rel=\"noopener\" target=\"_blank\">reserve timed tickets<\/a>. Visitors can access an Audio Tour on a laptop or one\u2019s smartphone: <a href=\"https:\/\/www.nypl.org\/events\/tours\/audio-guides\/treasures-audio-guide\" rel=\"noopener\" target=\"_blank\">an English or a Spanish version<\/a>, or <a href=\"https:\/\/www.nypl.org\/events\/tours\/audio-guides\/treasures-audio-guide-verbal-descriptions\" rel=\"noopener\" target=\"_blank\">an accessible version with verbal descriptions<\/a>. If you are not planning to visit in New York, one can construct a very rich virtual visit through the online version that captures the exhibition\u2019s themes and content.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you want to choose an exhibition to break out of the difficulty and isolation that the Covid pandemic has produced for more than a year-and-a-half, how about one where you can see the original umbrella connected with Mary Poppins, a tablet of cuneiform characters from the 3rd to the 1st millennia BCA, and a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3],"tags":[8,29],"class_list":["post-3071","post","type-post","status-publish","format-standard","hentry","category-explore-new-york","tag-manhattan","tag-museums"],"jetpack_publicize_connections":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2PDqY-Nx","_links":{"self":[{"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/posts\/3071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/comments?post=3071"}],"version-history":[{"count":22,"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/posts\/3071\/revisions"}],"predecessor-version":[{"id":3094,"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/posts\/3071\/revisions\/3094"}],"wp:attachment":[{"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/media?parent=3071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/categories?post=3071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mindfulwalker.com\/wordpress\/wp-json\/wp\/v2\/tags?post=3071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}